Of the many approaches to the use of music in film one of the most intriguing and emotionally powerful is to be found in the world of film noir. Miles Davis’ stunning score to Louis Malle’s 1958 classic “Ascenseur pour l’échafaud (Elevator To The Gallows)”, Mancini’s haunting accompaniment to Orson Welles’ 1958 “A Touch of Evil”. Chuck Redd and his festival jazz unit take us down these dark alleys and enigmatic hallways to…

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Source: Cascades To Coast